One calibrated camera, one file.
A camera measured on one install flies on the next without being measured again.
A camera that has been measured once carries that knowledge in a file. Export it from the install that did the work, import it on another install, and that head flies there without going through the measuring again.
For a rental and staging company this is the difference between a truck of cameras and a truck of jobs. Heads come back from a show, the file stays on the shelf, and the next job starts with camerawork instead of set-up.
For an organization with more than one room or more than one site, it means a head that moves between rooms takes its behavior with it, and every room treats it the same way. A camera borrowed for a night behaves like a camera that lives there.
The file carries what the camera is and how it behaves. What belongs to one install — which machine drives the head, which switcher input it lands on, where it sits on the stage plan — stays at home, so importing a camera never disturbs the room you import it into.
On import, a camera on VISCA over IP is asked which camera it is before the file is trusted; any other head comes in marked unverified until somebody confirms it. If it is a different camera, it says so rather than flying on somebody else's measurements.
For an integrator, the file is part of the handover. A camera measured on the bench arrives on site with its behavior already known, so the time in the room goes to composing shots rather than repeating setup.
A profile never outranks the camera in front of you. If a camera on VISCA over IP answers as a different camera than the file, the software says so and refuses the file. A head it cannot ask is marked unverified until somebody confirms it.
Questions
What is in a camera profile file?
What the camera is and how it behaves once measured. Room details stay at home: which machine drives the head, which switcher input it lands on, and where it sits on the stage plan.
What if the camera on the wire is not the camera in the file?
For a camera on VISCA over IP, the software asks the head which camera it is before it imports the file. If a different camera answers, it says so, names both and refuses the file. If the head cannot be asked, the file comes in marked unverified, and the row says so until somebody confirms it.
Who gets the most out of traveling profiles?
Rental and staging companies whose heads go out on a different job every week, integrators who measure on the bench and install on site, and organizations that move cameras between rooms or sites.
Does importing a profile change the room it arrives in?
No. The file carries the camera, not the room. Importing a camera never disturbs the shots, the switcher inputs or the stage plan of the install it lands in.
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Set up in minutes, honestly
The software measures your camera and says whether it can fly it. If it cannot, it says why.
Motion planned around your camera
A gentle departure, no visible speed steps, and a landing that settles where you asked.
Safety
Soft limits, a stop command that holds, and a controlled stop when the software lets go.
Corporate events and town halls
Compose the room's camerawork once. Run it at every all-hands.
Live production and broadcast
Preset punches become moves the director can take.
PTZ Composer